
1971 was the year when you knew we were in the next decade.
One could certainly agree that the 70's are seeded in 1969.
This is the ERA of
STICKING IT TO THE MAN!!
By 1971
•The big three are dead (Morrison, Joplin, Hendrix).
• The Beatles are done but embroiled in legal Hell.
• The War is still going on
• A Clockwork Orange, Dirty Harry, Fiddler on the Roof,
Diamonds are Forever &.........
BILLY JACK
Well, what can one not say about Billy Jack. Just like parents buying their children weapons for presents (see. Daisy BB gun) there was a time when Vigilante heroes where sticking it to THE MAN and THE MAN was overwhelmingly a Right, Conservative, Republican promoting the values of decency at the end of a rifle or the flat of a fist. How much time has changed; now the Left in America is in a contest to see who can be most sensitive and solve problems with the path of least resistence.
[fade in: trippy flashback theme music]
Billy Jack's origin was in The Born Losers (1967), a Biker film set against the canvass of a University. I guess Billy went left for the second, self titled , and more importantly penultimate film in this Quadrology;
The Born Losers 67, Billy Jack 71, The Trial of Billy Jack 74, and sadly Billy Jack goes to Washington 77
This great modern Native American folk hero was essentially the work of Tom Laughlin, who starred as the aforementioned hero, and directed all 4 films and Dolores Taylor, who starred as Jean in the last three films.
Billy Jack is a Native American Green Beret Nam War Vet. As adept with guns as he is with his hands and feet. (Note to self: Watch out for BJ's Feet). You cannot watch this film without realizing it is a real call to the plight of Native Americans. With so much of the action occuring around the Reservation vs. the Town.
One of the things that makes BJ so great and interesting is the archetypal Us against Them metaphor. In this case, US is a hippie arts & crafts communal School that takes in Criminals, Native Americans, different races, and lost souls. These beautiful children are a contrast to the uptight town elders. It's like the pre-footloose film with a Joan Baez undertone and a Bruce Lee sense of moral outrage.
Okay lets cut to the chase. A situation is stirred up when the hippie child of one of the town's established elders (see Sheriff) gets pregnant and takes refuge at the school. Another thread is the spoiled son of the mayor who uses any chance he can to ruin, annoy, tease, and bully the freaks from the school. The thing about Billy Jack is that people die, women are abused, and beautiful people get flour on their faces to make them white...all the while Billy is kicking a$ and taking names.
The theme One Tin Soldier was performed by Coven and it's a great one. In that 4 minutes of folk-pop righteousness is the entire divide of the country layed out in complete 70's pacifist verse. I thought Billy Jack was the coolest cat ever. Strong but not a hypocrite. Decisive but Merciful. He also had this crazy "Indian Sixth Sense" that could tell him when to show up and when certain loved ones were in trouble. You could even get the feeling he knew when people were trying to sniperlock him.
If you've seen it, you know and if you haven't I won't spoil it, but the scene in the Ice Cream Parlour with the Flour is pure genius. It was even sent up on Saturday Night Live with Paul Simon playing Billy Paul...
Billy Jack was the first film to use the "BlockBuster Release". Opening wide on a lot of screens in a market.
There is a sentiment to this film that while may for some seem now, corny, I love it dearly. It's a great independent film of the time, shot in that low-fi location vibe. It's message is timeless and the kicks are flawless. It also made a hero out of a Vet and addressed the horrible treatment and racism of Native Americans and African Americans. This was in a time where soldiers were wrongfully blamed for the "sins of the father" (see administration).
For Lasting Significance and overall Brilliance I give it
5 outta 5 Nerf Footballs
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